{"title":"Price Drops","description":"\u003cspan style=\"color: #6f6f6f;\"\u003eTo see more sale items, click on the page numbers at the bottom\u003c\/span\u003e","products":[{"product_id":"ultimatum-puppet-of-destruction1998-roweoriginal-issue","title":"ULTIMATUM - PUPPET OF DESTRUCTION (1998, Rowe) Original Issue","description":"\u003cp\u003e2009 CUSTOMER REVIEW\u003c\/p\u003e\n\u003cp\u003eAlthough all of Ultimatum's four studio disks are worthwhile I feel 1998's PUPPET OF DESTRUCTION and 1995's SYMPHONIC EXTREMITIES have the best assortment of songs. (2002's THE MECHANICS OF PERILOUS TIMES is their heaviest offering with a great primal drum sound, while 2007's INTO THE PIT features stellar songs like \"Blood Covenant\" and \"Heart of Metal\").\u003c\/p\u003e\n\u003cp\u003eUltimatum play a style that's rooted in traditional metal but with a thrashy, modern edge. It's a timeless style pure and simple. Although it's the songs themselves that standout on PUPPET OF DESTRUCTION the musicianship and vocals are certainly worth noting. The rhythm guitars are reminiscent of early Metallica and Exodus whereas the lead guitars are unschooled with a melodic haunting vibe (think Mercyful Fate). The drums \u0026amp; bass are professional and totally solid.\u003c\/p\u003e\n\u003cp\u003eAs for the vocals, people will likely either love or hate Scott Waters. On this recording he sounds like a mixture of Steve Souza, Dave Mustaine and Udo yet with his own unique flair. He sorta sounds like a snake if it became human and fronted a metal band (huh?). One great thing about Scott's vocals is that he is able to acclimate to the needs of the song and make it \"work,\" if you know what I mean. Hence, although he's technically not a great singer like Dio, he utilizes his vocal talents in such a way that keeps the songs from being one-dimensional and boring. Dio, by contrast, has the unfortunate tendency to sound the same song to song.\u003c\/p\u003e\n\u003cp\u003ePUPPET OF DESTRUCTION is highlighted by some of the best songs in the history of metal -- \"Never,\" \"Puppet of Destruction\" and \"World of Sin,\" whereas \"Mortal Stomp,\" \"Scorn,\" \"Gutterbox\" and \"Crosshope\" aren't that far behind. And the remaining three could hardly be categorized as filler. This is quality cd from beginning to end, pure and simple, which is why I rate it so highly.\u003c\/p\u003e\n\u003cp\u003eThe lyrical themes are another highlight. You don't have to worry about well-worn material here like dungeons, dragons, horror-gore and silly sci-fi sheet (not that there's anything wrong with that). The lyrics address numerous interesting topics usually with a spiritual edge from a biblical standpoint. \"Never\" is about maintaining one's integrity as musical styles come in and out of popularity. The chorus is particularly innovative (lyrically and musically). \"Puppet of Destruction\" is about metal bands that have nothing better to sing about than death, destruction, satan and horror\/gore. What happens to the minds that continually take in such garbage? (Garbage in, garbage out). Again, the chorus is outstanding. And \"Gutterbox\" is about tv addiction or couch potato-ism. This is just a taste.\u003c\/p\u003e\n\u003cp\u003eThe production is great as far as clarity of instruments and mix goes, but it lacks bottom-end heaviness. Not that it's some wimpy album or anything -- far from it -- just that the guitars lack that ultra-heavy sound. This is something they make up for with their next offering THE MECHANICS OF PERILOUS TIMES.\u003c\/p\u003e\n\u003cp\u003eNeedless to say, highly recommended if it sounds like your cup of java!\u003c\/p\u003e","brand":"Ultimatum","offers":[{"title":"Default Title","offer_id":7486898536478,"sku":"123","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/IMG_0049_400sq.jpg?v=1613248194"},{"product_id":"tourniquet-where-moth-rust-destroymetal-blade","title":"TOURNIQUET - WHERE MOTH \u0026 RUST DESTROY (Metal Blade) METAL","description":"\u003cul\u003e\n\u003cli\u003eCD in Jewel Case\u003c\/li\u003e\n\u003cli\u003e2003 Metal Blade Records\u003c\/li\u003e\n\u003cli\u003eBarcode: 039845100125\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTourniquet, a Christian progressive power thrash metal trio from Los Angeles, CA. has been around since 1990. Musically, Tourniquet's style is a mix of hardcore, hard rock, technical metal, speed metal, alternative and groove. They are able to blend all of these elements with melody and originality. Tourniquet even incorporates classical music into many of their guitar riffs. One can hear elements of Metallica, Anthrax, Hades, Whiplash, Watchtower and Shadows Fall in their music. The band consists of Ted Kirkpatrick (drums), Luke Easter (vocals) and Steve Andino (bass). For their 11th album, \"Where Moth And Rust Destroy\", Ted Kirkpatrick wrote all of the music, with Easter contributing lyrics on a few tracks. Kirkpatrick also played all of the rhythm guitar parts. Tourniquet even had Marty Friedman (Megadeth, Cacophony) and Bruce Franklin (Trouble, Supershine) provide all of the killer guitar solos. The album was produced by veteran Bill Metoyer and Kirkpatrick. Most of the songs on \"Where Moth And Rust Destroy\" can be classified as mini epics, averaging seven minutes in length. They are filled with exciting twists and breaks, containing a lot of variation ranging from fast thrash metal, mid-paced melodic sections to acoustic parts. Even a violin has been added to enhance the atmosphere. The songs are in no terms boring musically or lyrically. The musicianship is tight and the production is crystal clear. Kirkpatrick is an awesome drummer. You haven't heard drumming this technical since Neal Pert or Mike Portnoy. It's hard to believe that Easter does all of the vocals because he can sound like three different people. From soft singing and mid range vocals to hardcore like shouts. You can tell just by looking at the album cover that Where Moth and Rust Destroy is metal and nothing less. Tourniquet delivers an hour of solid metal. It's not death metal or metalcore, but thrash metal, reminiscent of Megadeth or Metallica. The Megadeth comparison is quite accurate, too, since the former guitarist of Megadeth(Marty Friedman) joined Tourniquet as a guest to add his guitar skills. These guys have been around for decades now, so fans that have not already experienced Tourniquet, but enjoy the less scream and growl oriented metal, should be sure to check this out. Totally worthy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Where Moth and Rust Destroy\u003c\/p\u003e\n\u003cp\u003e2. Restoring the Locust Years\u003c\/p\u003e\n\u003cp\u003e3. Drawn and Quartered\u003c\/p\u003e\n\u003cp\u003e4. A Ghost at the Wheel\u003c\/p\u003e\n\u003cp\u003e5. Architeuthis\u003c\/p\u003e\n\u003cp\u003e6. Melting the Golden Calf\u003c\/p\u003e\n\u003cp\u003e7. Convoluted Absolutes\u003c\/p\u003e\n\u003cp\u003e8. Healing Waters of the Tigris\u003c\/p\u003e\n\u003cp\u003e9. In Death We Rise\u003c\/p\u003e","brand":"Tourniquet","offers":[{"title":"Default Title","offer_id":7486898831390,"sku":"162 (OS-K2)","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/Covers_0008_400sq_1.jpg?v=1613248195"},{"product_id":"saint-crime-scene-earth-202008-retroactive","title":"SAINT - CRIME SCENE EARTH 2.0 (NEW-CD, 2008, Retroactive)","description":"\u003cul\u003e\n\u003cli\u003eCatalog Number: RAR7879\u003c\/li\u003e\n\u003cli\u003eUPC: 845121014952\u003c\/li\u003e\n\u003cli\u003eStyle: Metal\u003c\/li\u003e\n\u003cli\u003eTracks: 10\u003c\/li\u003e\n\u003cli\u003eTime: 41:45\u003c\/li\u003e\n\u003cli\u003eLyrics: Yes\u003c\/li\u003e\n\u003cli\u003ePackaging: 6 panel digipak w\/tray\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eABOUT THE ALBUM\u003c\/p\u003e\n\u003cp\u003eSaint is one of a handful of pioneering Christian heavy metal bands that re-grouped after being inactive for some years. After dominating Christian metal in the 80's, they reformed in 1999 and self-released albums in 2004, 2006 and then Crime Scene Earth in 2008. The band signed with Retroactive Records in 2009 and agreed to have the label re-release this 2008 classic. However, this new Retroactive Records version has been re-titled, Crime Scene Earth 2.0, as the album has had many parts completely re-recorded as well as being remixed and remastered. CSE 2.0 also features stunning, all-new artwork by extraordinary artist, Rex Zachary (Liberty N? Justice, Tourniquet, Ultimatum), which is far superior to the original release.\u003c\/p\u003e\n\u003cp\u003eOn the original release, the classic voice of Saint, the immortal golden-throated Josh Kramer, sang on only three tracks. On this re-release, the band had Josh go back and record his Rob Halford-ish vocals on every single track on the album! From the thunderous \"Bended Knee\" to the stunning cover of the Judas Priest classic \"Invader\", Josh and Saint ascend to the elite levels of melodic heavy metal! This Heavy Metal classic has never sounded better!\u003c\/p\u003e\n\u003cp\u003e*NoLifeTilMetal: \"If Saint were to put out a \"best of\" collection, these songs would easily fit in with their past recordings.\"\u003c\/p\u003e\n\u003cp\u003e*AngelicWarlord: \"On Crime Scene Earth, Saint stays true to form by giving us another slab of quality classic metal.\"\u003c\/p\u003e","brand":"Retroactive","offers":[{"title":"Default Title","offer_id":7486908891166,"sku":"034","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/files\/CSE_2.0_0001_470x_69bddd8c-1dfe-4c18-a6a4-f290cdd4ffa9.jpg?v=1776700613"},{"product_id":"sacrament-testimony-of-apocalypselegacy-editioncd","title":"SACRAMENT - TESTIMONY OF APOCALYPSE (Legacy Edition) CD","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e2014 Legacy Edition full color 4-panel digipak is completely remastered.\u003c\/p\u003e\r\u003cp\u003eSacrament was an intense East Coast Christian thrash metal band that pushed the boundaries of early death\/thrash metal, not unlike Sacrifice or Death. The music is fast and furious leaning towards the more extreme European thrash sound, as opposed to the Bay Area style. Vocalist Mike Torone has a raw, coarse, throaty voice that adds to the overall extreme vibe of the music, though he never really dives into full on death metal growls. Despite the speed and intensity of the music, Sacrament does not forsake memorable songwriting. \"Conquer Death,\" is a full-throttle thrasher with a manic vocal delivery, one sick high-pitched scream, and a bridge with a killer groove that gives way into a mid-paced lead break. Originally released in 1990 on R.E.X. Records, Testimony of Apocalypse became an instant favorite with thrash fans. Songs like \"Slave To Sin\" displayed beefy thrash guitars and classic thrash vocals used to create an abrasive wall of sonic power - all coming together to create some of the finest examples of Christian thrash metal anywhere!\u003c\/p\u003e","brand":"Retroactive","offers":[{"title":"Default Title","offer_id":7486912626718,"sku":"145","price":6.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/file_690c8b673b_400sq.jpg?v=1613248207"},{"product_id":"sacrament-haunts-of-violencelegacy-editioncd","title":"SACRAMENT - HAUNTS OF VIOLENCE (Legacy Edition) CD","description":"\u003cp\u003eSACRAMENT - HAUNTS OF VIOLENCE (Legacy Edition) CD\u003c\/p\u003e\r\u003cp\u003eOriginally released in 1992 on the legendary R.E.X. label and was being hyped as the heaviest disc they had ever released. And, while Death Metal was starting to dominate the scene, new vocalist Robert Wolfe showed he had the perfect voice for these thrash-titans - cool high pitched shrieky vocals that work so well with classic thrash. HAUNTS... is stinkin' heavy and at times reminiscent of Slayer and Death. Expect loads of gang vocals and some furious guitar playing. In the words of Metal Historian (and the voice of Christian thrashers, Ultimatum) Scott Waters, \"This disc is EXCELLENT!\" Kevin Ayers of Haven produced the disc. After the band broke up, bassist Eric Ney went onto play with Sardonyx for a short time. In 1999 he reappeared with Joey Daub (ex-Believer) in a new project called Fountain of Tears. This 2014 Retroactive reissue ensures this mega-classic thrash album is finally properly reissued with a stunning full color 4-panel digipack, and a deluxe audio improvement when remastered by J Powell of Steinhaus.\u003c\/p\u003e","brand":"Retroactive","offers":[{"title":"Default Title","offer_id":7486916067358,"sku":"096","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/HAUNT1_400sq.jpg?v=1613248208"},{"product_id":"mark-heard-best-of-mark-heard-acousticvinyl-record-1985-home-sweet-homesealed","title":"MARK HEARD - BEST OF MARK HEARD - ACOUSTIC (Vinyl Record, 1985, Home Sweet Home) *SEALED!","description":"\u003cul\u003e\n\u003cli\u003eFactory Sealed, Vinyl\u003c\/li\u003e\n\u003cli\u003eOriginal Pressing\u003c\/li\u003e\n\u003cli\u003e1985 Sweet Home Records\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Mark Heard was a folk rock singer, and songwriter. Heard released 16 albums, and produced and performed with many other artists as well, such as Sam Phillips (a.k.a. Leslie Phillips), Pierce Pettis, \u003c\/span\u003e\u003cstrong\u003ePhil Keaggy, Vigilantes of Love, \u003c\/strong\u003e\u003cspan\u003ePeter Buck ofí \u003c\/span\u003e\u003cstrong\u003eR.E.M\u003c\/strong\u003e\u003cspan\u003e. (who co-produced VOL's album Killing Floor with Heard), \u003c\/span\u003e\u003cstrong\u003eJohn Austin, The Choir, Randy Stonehillí \u003c\/strong\u003e\u003cspan\u003eand Michael Been of The Call. Heard produced part of\u003c\/span\u003e\u003cstrong\u003eOlivia Newton-John's The Rumor \u003c\/strong\u003e\u003cspan\u003ewhich also included a cover of Heard's own \"Big and Strong\" (originally called \"How to Grow Up Big and Strong\").\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFamily Name 4:05\u003c\/li\u003e\n\u003cli\u003eEye Of The Storm 3:00\u003c\/li\u003e\n\u003cli\u003eCastaway 3:16\u003c\/li\u003e\n\u003cli\u003eIn The Gaze Of The Spotlight's Eye 3:59\u003c\/li\u003e\n\u003cli\u003eCall Me The Fool 3:11\u003c\/li\u003e\n\u003cli\u003eTo See Your Face 3:31\u003c\/li\u003e\n\u003cli\u003eI'm Crying Again 3:29\u003c\/li\u003e\n\u003cli\u003eSome Folks' World 4:32\u003c\/li\u003e\n\u003cli\u003eCan't See Light 4:56\u003c\/li\u003e\n\u003cli\u003eTrue Confessions 3:30\u003c\/li\u003e\n\u003cli\u003eWell-Worn Pages 2:44\u003c\/li\u003e\n\u003cli\u003eIn Spite Of Himself 3:05\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mark Heard","offers":[{"title":"Default Title","offer_id":7486926618654,"sku":"Overstock box on top shelf","price":17.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/markheard-acoustic_23ea9ebb-9e88-43ba-8dd1-eb9740d04d56.png?v=1645196124"},{"product_id":"liberty-n-justice-light-it-up-cd","title":"LIBERTY 'N JUSTICE - LIGHT IT UP (Used CD) Retroactive Records 2010","description":"\u003cp\u003eCD\u003c\/p\u003e\r\u003cp\u003eLiberty N' Justice (the Melodic Rockers with a Message) formed 19 years ago and with 8 albums to their credit, they are still blasting out new music louder than ever! Liberty N' Justice in 2004 went from a full band to a studio project based around the songwriting of founder, Justin Murr. The concept went on to gain Liberty N' Justice worldwide recognition by getting established musicians from some of the world's most famous Christian and mainstream rock bands to play on their albums.\u003c\/p\u003e\r\u003cp\u003eHere is a list of Light It Up participants: Phil Lewis (LA Guns), JK Northrup (King Kobra), Dale \u0026amp; Troy Thompson (Bride), Lynn Louise Lowrey (Vixen), Eddie Ojeda (Twisted Sister), CJ Snare \u0026amp; Bill Leverty (Firehouse), Ted Poley (Danger Danger), Vic Rivera (Crunch), Les Carlson (Bloodgood), Oz Fox (Stryper), Sheldon Tarsha (Tarsha\/Adler's Appetite), Jeff Pilson (Dokken\/Foreigner), Kelly Keeling (Baton Rouge\/TSO), Kerri Kelli (Alice Cooper), Pete Loran \u0026amp; Steve Brown (Trixter), Ron \"Bumblefoot\" Thal (GNR\/Lita Ford), Chris Jericho (WWE Wrestler\/Fozzy), Phil Collen (Def Leppard), Harry Hess \u0026amp; Pete Lesperance (Harem Scarem), Marq Torien (BulletBoys), Chris Holmes (W.A.S.P.), Robert Mason (Warrant\/Lynch Mob), Jerry Dixon (Warrant), Shawn Pelata (Line Of Fire), Stephen Chesney (Frontiers) also appearing are Eric Rango (Takara), Terry llous (XYZ), Marc Danzeisen (BulletBoys\/Little Caesar), Doug Odell (Crunch\/TNA) \u0026amp; John Pine.\u003c\/p\u003e\r\u003cp\u003eREVIEWS\u003c\/p\u003e\r\u003cp\u003e**Rock Eyez: \"You have to give big props to Murr for turning out a quality product?Murr has outdone himself with top-notch musicianship.\" (5 out of 5 stars)\u003c\/p\u003e\r\u003cp\u003e**White Throne: \"LNJ have hit a homerun to these ears. Justin Murr is the brainchild behind LNJ and the group?s main songwriter. What he has offered here is an amazing collection of catchy hook laden whimsy that satisfies on all levels. You woulda thought that you just popped the shrink wrap off a new Bon Jovi or Def Leppard or Firehouse or Vixen or Bulletboys disc.\" (9 out of 10 axes)\u003c\/p\u003e\r\u003cp\u003e**The Refinery Rock: \"I do have to say that Light It Up has lived up to the hype. Justin and company have pulled off another kickin' album and have etched their niche in the music industry with this star-studded classic. I have to definitely give LNJ credit, not sure if too many bands can handle this much talent and sound this great. I recommend this album whole heartedly and turning it up real loud. In fact....Light It Up!\" (5 out of 5 stars)\u003c\/p\u003e\r\u003cp\u003e**Shipwreck Island: \"?what was once considered a real interesting endeavor has transformed into one of the hottest projects not only in Christian rock but also the modern melodic rock movement.\" (4.98 out of 5 stars)\u003c\/p\u003e\r\u003cp\u003eTRACKS\u003c\/p\u003e\r\u003cp\u003e01. Light It Up (Phil Lewis of LA Guns \u0026amp; JK Northrup of King Kobra)\u003c\/p\u003e\r\u003cp\u003e02. The Other Thief (Dale \u0026amp; Troy Thompson of Bride)\u003c\/p\u003e\r\u003cp\u003e03. Blink (Lynn Louise Lowrey of Vixen \u0026amp; Eddie Ojeda of Twisted Sister)\u003c\/p\u003e\r\u003cp\u003e04. Do What You Believe (CJ Snare \u0026amp; Bill Leverty of Firehouse)\u003c\/p\u003e\r\u003cp\u003e05. Man Vs Mother Nature (Ted Poley of Danger Danger and Vic Rivera of Crunch)\u003c\/p\u003e\r\u003cp\u003e06. Treading On Serpents (Les Carlsen of Bloodgood \u0026amp; Ox Fox of Stryper)\u003c\/p\u003e\r\u003cp\u003e07. Uncle Sam (Sheldon Tarsha of Tarsha\/Adler's Appetite and Jeff Pilson of Dokken\/ Foreigner)\u003c\/p\u003e\r\u003cp\u003e08. Every Reason To Believe (Kelly Keeling of Baton Rouge\/TSO \u0026amp; Kerri Kelli of Alice Cooper Band)\u003c\/p\u003e\r\u003cp\u003e09. Wrestling With God (Pete Loran\/Steve Brown of Trixter \u0026amp; Ron \"Bumblefoot\" Thal of GNR\/Lita Ford)\u003c\/p\u003e\r\u003cp\u003e10. Best Time You Never Had (Chris Jericho of Fozzy\/WWE Wresting) \u0026amp; Phil Collen of Def Leppard)\u003c\/p\u003e\r\u003cp\u003e11. Beautiful Decision (Harry Hess \u0026amp; Pete Lesperance of Harem Scarem)\u003c\/p\u003e\r\u003cp\u003e12. Drunk Dead Gorgeous (Marq Torien of BulletBoys and Chris Holmes of W.A.S.P.)\u003c\/p\u003e\r\u003cp\u003e13. Greed (Robert Mason of Warrant\/Lynch Mob \u0026amp; Jerry Dixon of Warrant)\u003c\/p\u003e\r\u003cp\u003e14. For Better Or Worse (Shawn Pelata of Line Of Fire \u0026amp; Stephen Chesney of Frontiers)\u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486933925918,"sku":"046","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/Covers_400sq_1.jpg?v=1613248222"},{"product_id":"idragoni-limited-edition2006-indie7-track-ep-exwedding-party","title":"I-DRAGON-I - LIMITED EDITION (2006, Indie) 7 Track EP Ex-Wedding Party","description":"\u003cp\u003e7 track digipak EP CD\u003c\/p\u003e\r\u003cp\u003eTracklist\u003c\/p\u003e\r\u003cp\u003e1 Introduction\u003c\/p\u003e\r\u003cp\u003e2 Dragonfly - Part I\u003c\/p\u003e\r\u003cp\u003e3 Angeldust\u003c\/p\u003e\r\u003cp\u003e4 ICU\u003c\/p\u003e\r\u003cp\u003e5 When I Fall\u003c\/p\u003e\r\u003cp\u003e6 Saviour\u003c\/p\u003e\r\u003cp\u003e7 Death Of A Century\u003c\/p\u003e\r\u003cp\u003eYOUTUBE\u003c\/p\u003e\r\u003cp\u003ehttps:\/\/www.youtube.com\/watch?v=nddJ8cYaVRE\u003c\/p\u003e\r\u003cp\u003eCUSTOMER REVIEW\u003c\/p\u003e\r\u003cp\u003eIt is an industrial metal goth project similar in style to Savior Machine. I understand that this album here, I-Dragon-I, is pretty much a follow up to the Wedding Party album. I don't remember who all was in the Wedding Party band but I-Dragon-I is comprised by William Ashton Knight (the same vocalist from Wedding Party), Jamie McCavanagh (lead guitar, programming, other instruments), Sean Savacool (bass), and Libby Luckey (backing vocals). So for those better informed than me make of this what you will.\u003c\/p\u003e\r\u003cp\u003eCUSTOMER REVIEW\u003c\/p\u003e\r\u003cp\u003eI find this effort near flawless! This indeed is a \"follow up\" to Wedding Party's \"Anthems\", had they stayed the course, this is likely the direction they would've been in by the time this ep came out, Only thing missing are the angelic vocals of Sherri Luckey, who is now in the band \"Dark Valentine.\" The \"muddy\/over-layered production\" is what the band was shooting for, as they were going in a bit of a more industrial sound than WP, though you will find that sound in songs like \"Even You\" and \"Raven's Warning\" from the \"Anthems\" lp. What you will find strikingly similar to WP is the spirit of the music, \"the anointing\", if you will. Like WP, these songs are forged out of the fires of tribulation, they bleed w\/pathos from the soul of one who has been through \"the dark night of the soul\" and experienced the healing and grace of God. Anyone who has experienced such trauma and anguish of the soul will relate to this, both this and WP have spoke to me like few other bands have...\u003c\/p\u003e","brand":"Girder Music","offers":[{"title":"Default Title","offer_id":7486942937118,"sku":"","price":8.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/I-DRAGON-I_-_LIMITED_EDITION.jpg?v=1613248227"},{"product_id":"horde-hellig-usvartvinyl-record","title":"HORDE- HELLIG USVART (VINYL RECORD)","description":"\u003cp\u003eVINYL RECORDS\u003c\/p\u003e\r\r\r\r\u003cp\u003eNEW SEALED\u003c\/p\u003e\r\r\r\r\u003cp\u003eThese are U.K. imports - MAY (or may not) have a slight bump\/crease to a corner of the jacket.\u003c\/p\u003e\r\r\r\r\u003cp\u003eBack in 1994 during the height of the second wave of Norwegian black metal anti-Christianity and satanism were at their peak in this genre of music. Then, out of points unknown comes Anonymous (later proven to be Jayson Sherlock) with a response to what was coming from Norway at the time. Sounding just as evil and raw as his Norwegian counterparts such as Mayhem, Darkthrone, Immortal and the rest Anonymous answered them. At the time holy unblack metal didn't exist, there was Christian metal but it was what only could be described as \"lame\" by any true metalhead. This single album (the only one made by this band until the live performance in Oslo in 2007) spawned a genre that has gotten a firm foothold in the realm of underground extreme metal. If some of the current crop of holy unblack metal bands such as Firethrone, Evroklidon, Erasmus, Susperia Profundus and many others have gotten you interested in holy unblack metal then the album that spawned it all is mandatory for your metal collection.\u003c\/p\u003e\r\r\r\r\u003cp\u003eTracklist\u003c\/p\u003e\r\r\u003cp\u003eA1\tA Church Bell Tolls Amidst The Frozen Nordic Winds\u003c\/p\u003e\t\r\r\u003cp\u003eA2\tBlasphemous Abomination Of The Satanic Pentagram\u003c\/p\u003e\t\r\r\u003cp\u003eA3\tBehold, The Rising Of The Scarlet Moon\u003c\/p\u003e\t\r\r\u003cp\u003eA4\tThine Hour Hast Come\u003c\/p\u003e\t\r\r\u003cp\u003eA5\tRelease And Clothe The Virgin Sacrifice\u003c\/p\u003e\t\r\r\u003cp\u003eA6\tDrink From The Chalice Of Blood\u003c\/p\u003e\t\r\r\u003cp\u003eB1\tSilence The Blasphemous Chanting\u003c\/p\u003e\t\r\r\u003cp\u003eB2\tInvert The Inverted Cross\u003c\/p\u003e\t\r\r\u003cp\u003eB3\tAn Abandoned Grave Bathes Softly In The Falling Moonlight\u003c\/p\u003e\t\r\r\u003cp\u003eB4\tCrush The Bloodied Horns Of The Goat\u003c\/p\u003e\t\r\r\u003cp\u003eB5\tWeak, Feeble And Dying Anti-Christ\u003c\/p\u003e\t\r\r\u003cp\u003eB6\tThe Day Of Total Armageddon Holocaust\u003c\/p\u003e","brand":"Horde","offers":[{"title":"Default Title","offer_id":7486943068190,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/HORDE_400sq.jpg?v=1613248227"},{"product_id":"gideons-amy-gracelegends-remastered","title":"GIDEON'S ARMY - GRACE (CD) Legends Remastered","description":"\u003cp\u003eSan Francisco Bay Area based rockers GIDEON'S ARMY was one of the first bands from the CCM movement starting its activities in 1973. Their debut released in 1982, followed by the now cult classic Warriors Of Love released in 1986. The band?s now iconic third album, Grace, released in 1990 on the short-lived Pan Trax Records. This was their first and only album to be released on CD. As many bands from that era, they embraced the glossy Melodic Rock sound that dominated the airways in the 80's.\u003c\/p\u003e\n\u003cp\u003eGrace rocked hard with plenty of sharp guitar riffs, vintage \u0026amp; modern keyboards (including synths) and elaborated harmony vocals. The band hit all the sweet spots with Grace, with collectors and critics hailing it as an AOR Classic Rock masterpiece. Original issue CDs rarely show up on auction sites, but when they do collector?s regularly pay $200! The 2015 Retroactive Records reissue is packaged as a four panel digipak, with greatly enhanced artwork, fully remastered audio, and as part of the Legends Remastered Series. This essential AOR album has never looked or sounded better! For fans of Journey, Night Ranger, Petra, and .38 Special!\u003c\/p\u003e\n\u003cp\u003e01 - Knowing You\u003c\/p\u003e\n\u003cp\u003e02 - Lonely Lover\u003c\/p\u003e\n\u003cp\u003e03 - Christina\u003c\/p\u003e\n\u003cp\u003e04 - Grace\u003c\/p\u003e\n\u003cp\u003e05 - Make Up Your Mind\u003c\/p\u003e\n\u003cp\u003e06 - Open Arms\u003c\/p\u003e\n\u003cp\u003e07 - Tough Love\u003c\/p\u003e\n\u003cp\u003e08 - With The One I Love\u003c\/p\u003e\n\u003cp\u003e09 - Turn Up The Heat\u003c\/p\u003e\n\u003cp\u003e10 - Sending You\u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486951555102,"sku":"238","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/Gideon.Grace.Cover_400sq.jpg?v=1583726860"},{"product_id":"divulgence-future-seed2012-bombworksprog-xian-thrash-metal-death","title":"DIVULGENCE - FUTURE SEED (2012, Bombworks) Prog Xian Thrash Metal Death","description":"\u003cp\u003eYoutube: https:\/\/www.youtube.com\/watch?v=JbOs5ij5uNI\u003c\/p\u003e\r\u003cp\u003eDIVULGENCE ? FUTURE SEED\u003c\/p\u003e\r\u003cp\u003eProduct ID: BWR062011\u003c\/p\u003e\r\u003cp\u003eBarcode: 845121044751\u003c\/p\u003e\r\u003cp\u003eRelease Date: March 6, 2012\u003c\/p\u003e\r\u003cp\u003eLabel: Bombworks Records\u003c\/p\u003e\r\u003cp\u003ePackaging: 6 panel digipak\u003c\/p\u003e\r\u003cp\u003eStyle: Extreme Death\/Thrash\u003c\/p\u003e\r\u003cp\u003eABOUT THE ALBUM\u003c\/p\u003e\r\u003cp\u003eDIVULGENCE brings together the old and sacred elements of true heavy metal, forging a brand new monolith of riffage. This new beast created is a whirlwind of progressive thrash and aggressive metal powered by chugging riffs and memorable solo's! Out of South Carolina, DIVULGENCE has been launching metal assaults on an unsuspecting underground since 2008 when all the members were still in High School! With the band's debut release on Bombworks Records, the members are bonded by the universal truth that heavy metal is the law, thereby unleashing the band's brand of ripping, epic thrash. Everything begins with the purity and aggression of the 80's Bay Area thrash scene, but DIVULGENCE further fuels its righteous onslaught with progressive metal done right. The songs are complex, unpredictable, and always interesting, but the \"progginess\" never detracts from the pure metal insanity. The guitar riffs are brutal and uncompromising, but very sophisticated. And they strike a perfect balance between driving metal riffs and jaw-dropping complexity. DIVULGENCE combines the influences of Believer, Extol, Slayer, Tourniquet, Death, and Skeletonwitch while pushing the boundaries of creative, extreme metal with stunning results! The underground metal scene welcomes progressive thrash titans, DIVULGENCE with open arms! 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Purpose of the Cross was originally released in 1996 independently in a pressing of only 1000 copies, of which these have been completely long gone for years and have been a really tough collectible to come by for the David Benson fan! Now you will have one more chance to pick up a Limited Edition version of this classic David Benson album is we will only be releasing 1000 copies of this which will soon make even this remastered and expanded edition tough to come by! But wait that s not all! This expanded version will be coming with three previously unreleased bonus tracks that have never before seen the light of day! In 2002 Mick Rowe of another famous Christian Metal band called TEMPEST would recruit David Benson to sing on what was to become a brand new Tempest album entitled Crushing the Dark Cathedral. Unfortunately after 3 tracks were written and completely recorded the album would never see the light off day and those three songs would be locked away never to be heard by the general public until now!\u003c\/p\u003e\r\u003cp\u003eANGELIC WARLORD REVIEW\u003c\/p\u003e\r\u003cp\u003eChristian metal bands intentionally modeling their sound after that of their mainstream counterparts is not a recent phenomenon. The concept dates to the late eighties and Whitecross, who often invited comparison to Ratt as a result of Scott Wenzel?s gritty Stephen Pearcy-like vocal abilities. Trytan was next in line, highlighting a Rush influenced sound in which vocalist Larry Dean proved a near dead ringer for Geddy Lee. Finally, X-Sinner brought a strong affinity for AC\/DC due to the vocal delivery of Dave Robbins closely resembling that of Brian Johnson.\u003c\/p\u003e\r\u003cp\u003eBut does it work? There will always be those that insist it makes better sense to listen to the original: Since the talent and experience are both already in place then any attempt at imitation would be ?second rate?, right? While I can understand the logic behind that line of thinking, you are going to end up missing a lot of very good music in the process- keeping in mind that imitation is the greatest form of flattery.\u003c\/p\u003e\r\u003cp\u003eWhitecross, for instance, featured a world class guitarist in Rex Carroll while no one can doubt that songs such as ?Take It To The Limit?, ?Because Of Jesus? and ?Love On The Line? are right up there with the best Ratt had to offer. Trytan offered stunning musicianship on its debut Celestial Messenger in addition to being one of the first Christian metal bands to experiment with a progressive based sound (songs such as ?It?s War?, ?Mr. Electric? and ?Genesis?, likewise, are killer). X-Sinner is the lone hold out and not due to a lack of ability but rather overdone production that drenched its debut Get It in layer after layer of vocal melodies while burying the guitar in the mix.\u003c\/p\u003e\r\u003cp\u003eThe trend continued into the nineties with David Benson, whose main calling card was a ?Christian alternative to Ozzy?. True to form, his signature vocal style closely mirrors that of Ozzy Osbourne. The artist has released three albums: Holy Psychotherapy (1994), Purpose Of The Cross (1996) and Premonition Of Doom (1997). I passed on the three back in the day due to not being an Ozzy fan, but there are those who swear by Benson?s abilities and maintain that he nails the Ozzy vocal style to perfection.\u003c\/p\u003e\r\u003cp\u003eThe David Benson back catalog, as one might imagine, has been out of print and hard to find for some time (Holy Psychotherapy was recently offered for $150 on eBay). Hence, a re-issue was long overdue, with Intense Millennium stepping to the plate in the spring of 2011 and making Purpose Of The Cross - re-mastered and with new album artwork -available on a limited basis (only 1000 copies printed). Three bonus tracks from the artists 2002 session work with guitarist Mick Rowe (Tempest) are included as well.\u003c\/p\u003e\r\u003cp\u003eWhat I hear on Purpose Of The Cross is straight on metal with some heavy doom-ish Black Sabbath and early eighties Ozzy influences. Standout tracks include the technical doom of ?Works?, ?Second Coming? and ?Faith?, although I find catchier and more upbeat numbers ?Purpose Of The Cross?, ?Holy Psychotherapy? and ?Revelation Man? equally laudable. Groove driven pieces ?Give In? and ?American Wake Up? are also quite good.\u003c\/p\u003e\r\u003cp\u003eThe three bonus tracks, ?Crushing The Dark Cathedral?, ?Dark Star? and ?Dear Aleister?, were supposed to be part of a new Tempest album. That, obviously, fell through, but the Intense Millennium re-issue allows them to see the light of day for the first time. The three, staying true to the albums musical penchant for the swarthy and doom-like, are much better than the bonus track status would indicate.\u003c\/p\u003e\r\u003cp\u003eMusically, there is a lot to like here. However, the key deciding factor - at least as far as this reviewer is concerned ? comes down to not the fact the artist sounds like Ozzy but whether or not the songs are any good. And this is where Purpose Of The Cross succeeds in that at its best its songwriting is top notch and in no way ?second rate? in comparison to the original.\u003c\/p\u003e\r\u003cp\u003eSo what is there not to like here? Why does the project rate just 70%?\u003c\/p\u003e\r\u003cp\u003eFirst, you will find some musical inconsistency in that I hit the skip button a couple times, specifically over ?Shout? and ?We Are One?. The two, in my opinion, are a couple notches below the albums better material and, as a result, I relegate them to filler status (keeping in mind that others might view them different).\u003c\/p\u003e\r\u003cp\u003eSecond, I do not own the original so cannot comment on production from that standpoint, but from what I have heard from others is that the re-mastering cleans things up. However, you will still find some slight thinness overall, particularly as it relates to the low end.\u003c\/p\u003e\r\u003cp\u003eThird, is the lack of killer lead guitar playing. Now, whenever Ozzy is mentioned what are the first things that come to mind (other than goofy reality TV programs and having bitten a head off a bat)? All the great guitarists he has worked with over the years: Randy Rhoads, Jake E. Lee, Zakk Wylde and others. Potentially this is where the problem lies in that while guitarists Chris Grey, Eddie West and Bryn Wilson are technically sound and put forth a serviceable performance, none exactly fall within the ?guitar hero? category. At this point the following question begs to be asked: How much better would the project be if lead guitar duties had been handled by someone along the lines of Oz Fox (Stryper), Rick Hunter (Soldier) or Dee Harrington (Saint)?\u003c\/p\u003e\r\u003cp\u003eFourth, lyrics are printed in too small of a font to be read without a magnifying glass.\u003c\/p\u003e\r\u003cp\u003eTrack By Track\u003c\/p\u003e\r\u003cp\u003e?Purpose Of The Cross? grooves its distance, highlighting a catchy hook and up-tempo momentum along with a propensity for the instrumental- the song features the albums best stretch of riveting lead guitar. Chorus hits hard as does the lyrical direction:\u003c\/p\u003e\r\u003cp\u003eThere was a man 2000 years ago\u003c\/p\u003e\r\u003cp\u003eWho died upon a tree\u003c\/p\u003e\r\u003cp\u003eMocking Him today, call Him lunatic prophet\u003c\/p\u003e\r\u003cp\u003eFather of all heresies\u003c\/p\u003e\r\u003cp\u003eNot seeing the truth in why He died\u003c\/p\u003e\r\u003cp\u003eTo save the souls of you and me\u003c\/p\u003e\r\u003cp\u003eYou mock the purpose of the cross\u003c\/p\u003e\r\u003cp\u003eHe shed His blood for you\u003c\/p\u003e\r\u003cp\u003eHe died upon a lonely tree\u003c\/p\u003e\r\u003cp\u003eTo save you from all sin? eternal doom\u003c\/p\u003e\r\u003cp\u003e?Works? slows things to a technical mid-paced romp. Approaching doom-metal territory, the song proves dark and low-key with its grinding rhythm section and tempo changes over the final half including another extended instrumental excursion.\u003c\/p\u003e\r\u003cp\u003eThe doom-ish emphasis continues on ?Second Coming?, an unrelenting slug fest that ranks with the albums heaviest. But it is not all driving in that quite the copious melody can be found as well. The lone complaint is that the song fades out prematurely in coming in at just under three minutes. Lyric snippet:\u003c\/p\u003e\r\u003cp\u003eBut as it was in the days of Noah\u003c\/p\u003e\r\u003cp\u003eSo shall the coming of the Son of Man be\u003c\/p\u003e\r\u003cp\u003eWatch therefore you know not the hour\u003c\/p\u003e\r\u003cp\u003eOf the Bridegroom is at hand\u003c\/p\u003e\r\u003cp\u003eBe ready in and out of season\u003c\/p\u003e\r\u003cp\u003eYou know not the hour or the day\u003c\/p\u003e\r\u003cp\u003eGive your life to Jesus Christ\u003c\/p\u003e\r\u003cp\u003eSo you can go when He calls His bride away\u003c\/p\u003e\r\u003cp\u003e?America Wake Up? stands out with its commanding bass line. The song plods forward from the start, driven and substantial during its verses but gaining momentum for a spirited chorus backed by a rollicking drum presence. The band remains in real tight form here.\u003c\/p\u003e\r\u003cp\u003e?Shout? falls somewhat flat, at least in comparison to those preceding it. The song takes a bluesy hard rock heading in picking up the tempo but lacks the catchy hooks for repeated play. A bit too plain and generic is the overall feeling at hand. Lyric snippet:\u003c\/p\u003e\r\u003cp\u003eJesus my Saviour, the King that rules\u003c\/p\u003e\r\u003cp\u003eHis Word I carry like a two edged sword\u003c\/p\u003e\r\u003cp\u003eHe helps me with my earthly duels\u003c\/p\u003e\r\u003cp\u003eI walk with Him in His Word everyday\u003c\/p\u003e\r\u003cp\u003eBecause He shows through His Word He saves\u003c\/p\u003e\r\u003cp\u003eShout His name, yeah\u003c\/p\u003e\r\u003cp\u003ePraise His name on high\u003c\/p\u003e\r\u003cp\u003eShout His name, yeah\u003c\/p\u003e\r\u003cp\u003eSo people see His light\u003c\/p\u003e\r\u003cp\u003eA much better effort can be found in ?Give In?. A return to all out heaviness, the song highlights an underpinning technical milieu and understated melody that better represents the artist?s potential. Chorus romps with abandon while the rhythm section settles into a fixed low-end groove.\u003c\/p\u003e\r\u003cp\u003e?Holy Psychotherapy? proves spirited from the get go. The song kicks up a storm of forthright impetus, rushing its distance to a foundational bass line and unremitting hooks in abundance. The infections energy almost brings to mind Stryper. Lyric snippet:\u003c\/p\u003e\r\u003cp\u003eTime after time, day after day\u003c\/p\u003e\r\u003cp\u003eReturning to your emetic state of being\u003c\/p\u003e\r\u003cp\u003eLooking to alcohol to show you the way\u003c\/p\u003e\r\u003cp\u003eDying in your sin without even seeing\u003c\/p\u003e\r\u003cp\u003eYour spirit is in eminent decay\u003c\/p\u003e\r\u003cp\u003eYou need to see a doctor who can make your spirit free\u003c\/p\u003e\r\u003cp\u003eHoly Psychotherapy\u003c\/p\u003e\r\u003cp\u003eRedemption of your soul\u003c\/p\u003e\r\u003cp\u003eLet Jesus make you whole\u003c\/p\u003e\r\u003cp\u003e?Revelation Man? represents this reviewer?s choice track. It starts with the songs variety, ranging from verses that start heavy hitting but decelerate to a quieter touch at the end and a precisely done chorus bordering on commercial in capacity (very catchy and certain to have you returning time and again). A quintessential joining of the melodic and heavy can be found here.\u003c\/p\u003e\r\u003cp\u003e?We Were One?, a praise filled rocker with a mirthful disposition, does not quite cut it. Similar to ?Shout? the song failed to grow on me in that it lacks the notable hook to gain my repeated interest. The technical elements of the albums better material cannot be found here. Lyric snippet:\u003c\/p\u003e\r\u003cp\u003eWe must dress up in His armor\u003c\/p\u003e\r\u003cp\u003eYe soldiers of the light\u003c\/p\u003e\r\u003cp\u003eBear each others burdens now\u003c\/p\u003e\r\u003cp\u003eAnd stand against the night\u003c\/p\u003e\r\u003cp\u003eTo acknowledge all His names\u003c\/p\u003e\r\u003cp\u003eAnd to sing unto Him praise\u003c\/p\u003e\r\u003cp\u003eFor you know, know we are one\u003c\/p\u003e\r\u003cp\u003eWe are one in the power of love?\u003c\/p\u003e\r\u003cp\u003e?Faith? closes things in monster fashion. This one is doom metal all the way, with trudging guitar riffs and hulking low-end playing dominant roles. The swarthy - almost haunting - atmosphere finds Benson in his natural element in no uncertain terms.\u003c\/p\u003e\r\u003cp\u003eAs for the bonus tracks, ?Crushing The Dark Cathedral? hits with a ton of bricks while delivering an understated melody in the process. ?Dark Star? and ?Dear Aleister? are ominous plodders, caustic and bitter slabs of grinding metal but delivering enough gripping catchiness to hold up under repeated play.\u003c\/p\u003e\r\u003cp\u003eIf you are looking for a Christian alternative to Ozzy then you will find it in David Benson?s Purpose Of The Cross. Again, this is not a substandard impersonation of the original but rather brings some very good songs that stand up quite well on there own. Benson, at the same time, does a fine job nailing the Ozzy style vocal approach. Only some musical inconsistency and lack of great soloing hold things back.\u003c\/p\u003e\r\u003cp\u003eReview by Andrew Rockwell\u003c\/p\u003e\r\u003cp\u003eTrack Listing: ?Purpose Of The Cross? (3:19), ?Works? (3:58), ?Second Coming? (2:58), ?America Wake Up? (3:59), ?Shout? (2:52), ?Give In? (3:49), ?Holy Psychotherapy? (3:56), ?Revelation Man? (3:37), ?We Were One? (2:57), ?Faith? (3:49), ?Crushing The Dark Cathedral? (3:07), ?Crushing The Dark Cathedral? (3:07), ?Dark Star? (4:22), ?Dear Aleister? (3:28),\u003c\/p\u003e\r\u003cp\u003eMusicians\u003c\/p\u003e\r\u003cp\u003eDavid Benson - Lead Vocals\u003c\/p\u003e\r\u003cp\u003eChris Grey - Guitars\u003c\/p\u003e\r\u003cp\u003eEddie West - Guitars \u0026amp; Keyboards\u003c\/p\u003e\r\u003cp\u003eBryn Wilson - Guitars\u003c\/p\u003e\r\u003cp\u003eMark Selby - Bass\u003c\/p\u003e\r\u003cp\u003eKeith Trevor - Bass\u003c\/p\u003e\r\u003cp\u003eLee Paddgett ? Drums\u003c\/p\u003e","brand":"David Benson","offers":[{"title":"Default Title","offer_id":7486957092894,"sku":"078","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/DB_400sq.jpg?v=1583727283"},{"product_id":"daniel-band-straight-aheadcd-2006-retroactive","title":"DANIEL BAND - STRAIGHT AHEAD (CD, 2006, Retroactive)","description":"\u003cdiv class=\"product-single__description rte\" itemprop=\"description\"\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Daniel Band\u003c\/li\u003e\n\u003cli\u003eTitle: Straight Ahead (Legends Remastered)\u003c\/li\u003e\n\u003cli\u003eRecord Label: Retroactive Records\u003c\/li\u003e\n\u003cli\u003eProduct ID: RRCD1447\u003c\/li\u003e\n\u003cli\u003ePackaging: CD full color 12 page booklet with lyrics and band pics, jewel case\u003c\/li\u003e\n\u003cli\u003eBarcode: 656165850822\u003c\/li\u003e\n\u003cli\u003eRelease Date: March 22, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eABOUT THE ALBUM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eOriginally released in 1983,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSTRAIGHT AHEAD\u003c\/em\u003e, adheres to well earned rock formulas, taking bold, expansive moves. From the haunting melody of “In My Mind” to the visceral attack of “Lustful Illusions” and the \"in-your-face\" “Reality,” this collection of songs is an excursion to fresh musical avenues that never stray too far from the band’s signature offering of high energy riffs and to-the-point lyrics.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSTRAIGHT AHEAD\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect stocking stuffer for that tattooed biker uncle on your Christmas list! The 2018 Retroactive Records Legends Remastered release has been digitally remastered by Rob Colwell at Bombworks Sound and it is packaged in a jewel case with a 12 page insert featuring new band pics, lyrics, and a write up from Retroactive Records owner! This release is for the collector that wants everything elite - the music, the packaging, the metal! For fans of Triumph, Rush, AC\/DC, Resurrection Band. and Jerusalem!\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e1 Power Of Love\u003cbr\u003e2 You're All I Need\u003cbr\u003e3 Straight Ahead\u003cbr\u003e4 Here I Am\u003cbr\u003e5 T'ank You\u003cbr\u003e6 Lustful Illusions\u003cbr\u003e7 Reality\u003cbr\u003e8 Come Into My Life\u003cbr\u003e9 Comin' Home\u003cbr\u003e10 In My Mind\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"video-wrapper\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/skjtpx3khg8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-product-reviews\" data-id=\"591773237292\"\u003e\u003c\/div\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486960500766,"sku":"082","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/daniel_400sq.jpg?v=1583727273"},{"product_id":"children-of-the-day-come-to-the-waterscollectors-editioncd-2017-born-twice-records","title":"CHILDREN OF THE DAY - COME TO THE WATERS (Collectors Edition) (CD, 2017, Born Twice Records)","description":"\u003cp\u003eArtist: Children of the Day\u003c\/p\u003e\n\u003cp\u003eTitle: Come To The Waters (Collector?s Edition)\u003c\/p\u003e\n\u003cp\u003eLabel: Born Twice Records\u003c\/p\u003e\n\u003cp\u003eProduct ID: BT1403\u003c\/p\u003e\n\u003cp\u003eFormat: CD, 4 panel digipak\u003c\/p\u003e\n\u003cp\u003eBarcode: 651402978994\u003c\/p\u003e\n\u003cp\u003eRelease Date: July 11, 2017\u003c\/p\u003e\n\u003cp\u003eABOUT THE ALBUM\u003c\/p\u003e\n\u003cp\u003eThis is where it all started. Children of the Day should probably be viewed as the world's first \"contemporary Christian music\" group--except that it was called Jesus Music back then. It was an album that defined the Jesus movement as well as any other album ever would and it became a national phenomenon. As one historian puts it, \"Children of the Day were first--and Love Song was about ten minutes behind.\" The thought that Christian music could sound like popular \"secular\" music was a radical innovation that would ultimately launch a revolution in liturgics unparalleled by anything since Reformers introduced congregational singing in the sixteenth century. But Children of the Day did not seem to know (or care) that they were innovators. They don't appear to have studied the works or thought of Ralph Carmichael or others who had tried for years to accomplish what they did in weeks. There was no intention or design. They weren't assembled by any record company or culled from the ranks of a Gospel choir. They were just four kids (almost literally) who had been revived by personal encounters with Jesus and who, like Peter in Acts, could not \"keep from speaking of what (they) had seen and heard\" (4:20). They could not help but speak of it, and since they were musicians they could not help but sing of it. And--since they were teenagers--they could not help but sing and write songs in the musical idioms most readily available to them, the California sounds that they heard emanating from their transistor radios and 8-track tape players. The music seemed to bubble up from the depths of their souls and just spill out, as though they had very little to do with it themselves. Witnessing such a phenomenon inevitably touched the hearts of the curious and the questing, with profound results. Musically, they and their peers (especially Love Song) provided some of the single most authentic moments in American music of the early '70s. No one else in that post-Woodstock, pre-disco era cared as much about their music or performed it with as much conviction. No one else in the decade that followed the '60s really believed that their songs might--probably would--change the world. Indeed, no one (in Christian or secular music) seems to have thought so since.\u003c\/p\u003e\n\u003cp\u003eThey will always be best remembered for one incredible song: \"For Those Tears I Died\" (first found on The Everlastin' Living Jesus Music Concert compilation lp and sometimes called \"Come to the Waters\"). An absolute masterpiece, written by a 16-year-old (Marsha Stevens), it expresses adolescent piety better than any other Christian song ever written--and yet does so in language that evokes imagery of baptism and liberation that even theologically mature adults (who may or not care for the sentimental qualities) can appreciate: \"Jesus said, Come to the Waters \/ Stand by my side \/ I know you are thirsty \/ You won't be denied \/ I felt every teardrop \/ When in darkness you cried \/ And I strove to remind you \/ That for those tears I died.\" by Mark Allan Powell\u003c\/p\u003e\n\u003cp\u003eExcerpts taken from The Encyclopedia of Contemporary Christian Music\u003c\/p\u003e\n\u003cp\u003eThis 2017 Born Twice Records reissue features a 4 panel digipak with all scans taken from an original vinyl record sleeve, and features the same remastered audio as released on the 2006 Retroactive Records jewel case version (now out of print).\u003c\/p\u003e\n\u003cp\u003eThe group took its name from 1 Thessalonians 5:5. A true ensemble, all four members wrote songs and all four sang and played. They were integrally related to the ministry of Costa Mesa's Calvary Chapel (\"ground zero\" for the Jesus movement). The group even borrowed $900 for Pastor Chuck Smith to record their debut masterpiece at Abbey Sound Ltd in LA. It was engineered by Buck Herring (2nd Chapter of Acts).\u003c\/p\u003e\n\u003cp\u003ePlease Note: The original master tapes of this classic release are long gone and nowhere to be found. So Born Twice Records purchased a sealed vinyl copy, ripped them to digital, and then mastered it for the best sounding version of this album anywhere in the world. However, because of the quiet nature of Children of the Day music, it was difficult to cover up the source material limitations 100% without compromising the integrity of the music. Most people won't even be able to tell, but diligent audiophiles will notice.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cp\u003e1 New Life 4:14\u003c\/p\u003e\n\u003cp\u003e2 As A Child 6:00\u003c\/p\u003e\n\u003cp\u003e3 Children Of The Day 2:20\u003c\/p\u003e\n\u003cp\u003e4 The Search 5:24\u003c\/p\u003e\n\u003cp\u003e5 Two Hands 3:45\u003c\/p\u003e\n\u003cp\u003e6 Jesus Lives 3:59\u003c\/p\u003e\n\u003cp\u003e7 All Breathing Life 2:09\u003c\/p\u003e\n\u003cp\u003e8 Jesus 3:45\u003c\/p\u003e\n\u003cp\u003e9 For Those Tears I Died 5:10\u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486968791070,"sku":"060","price":11.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/Children_Cover_400sq.jpg?v=1583727159"},{"product_id":"boarders-the-world-hates-me2009-retroactiveexmegadeath-cover-band-christian","title":"BOARDERS - THE WORLD HATES ME (2009, Retroactive) ex-Megadeath cover band Christian","description":"\u003cp\u003eThrash Metal\u003c\/p\u003e\r\u003cp\u003eFormerly a Megadeth cover band. Amazing hybrid of soaring, pitch-perfect vocalscombined with Megadeth growls from this Italy based metal band.\u003c\/p\u003e\r\u003cp\u003eBoarders are an Italian band that started off as a Megadeth tribute act, before coming to faith and writing their own material. \"The World Hates Me\" was originally released in 2007, before being re-released by Retroactive Records in 2009. The band members are Egidio Casati (vocals \u0026amp; rhythm guitars), Luigi \"Gigi\" Civardi (lead guitar), Oskar Sasso (bass) and Roberto Agnelli (drums).\u003c\/p\u003e\r\u003cp\u003eThere are several different styles on this album and I was somewhat surprised by the first track \"True Rebellion\" which has a choppy riff similar to AC\/DC. Then as you might expect from their Megadeth influences, the music switches to eighties thrash and metal. Some of the lyrics are a bit clunky, but when you are not writing in your native language this will always be a challenge. So it took me some time before I realised that \"Schmertzgarten\" is about the Jewish holocaust. The rock ballad \"Never Alone\" has additional female vocals from Mariangela Scafati. Then they do a cover version of \"In My Darkest Hour\" by Megadeth. The album closes with doomy Black Sabbath-esque riffing.\u003c\/p\u003e\r\u003cp\u003eAs Egi says \"We recorded \"The World Hates Me\" just for personal gratification and without any clue that one day it would be released by not one, but two labels (first edition with Quam Libet Records and the re-issue with Retroactive). Personally I was trying to catch in music what was happening in my new life, after having turn to Christian Faith. Jump For Joy was the first lyric I wrote, and it describes the incredible changes that meeting the Truth in person can bring to our lives. In particular, the verses: \"Rebellion grew for all these years\/ feedin' my own imprisonment\/ Today I fall down in tears\/ 'cause this slavery came to its end\". Apart from this song, and three others that we previously recorded in a demo in 2003 (these are W:P:D, For What It's Worth and Deliver You Back To Hell), most of the lyrics were written directly in the recording studio, right during the mix, prior to record vocals\".\u003c\/p\u003e\r\u003cp\u003eThere are eighties metal, speed metal, melodic rock ballads and thrash tracks all on here. The mixture of styles and influences means that this album doesn't flow as you would expect it to. The clean sound production and excellent lyric booklet all show that attention has been taken to this release. But I have to say that overall I enjoyed it.\u003c\/p\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486970396702,"sku":"A-Z Metal Shelf","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/products\/153685.jpg?v=1583726992"},{"product_id":"barnabas-little-foxesnewcd-2017-retroactive-records","title":"BARNABAS - LITTLE FOXES (*NEW-CD, 2017) Remastered","description":"\u003cul\u003e\n\u003cli\u003e2017 Retroactive Records\u003c\/li\u003e\n\u003cli\u003eProduct ID: RRCD1445\u003c\/li\u003e\n\u003cli\u003eBarcode: 656165850624\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull color 12 page booklet insert with lyrics and band pics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uyFm2EysrTg\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE ALBUM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn 1986?s Little Foxes, Brian Belew's pyrotechnic guitar leads continued to push the sound of Barnabas over the top. He was well known as a human dynamo of an axeman, one who routinely wow?d audiences by combining in-concert acrobatics with the fact that he never missed a note! Brian had an amazing ability to use tapping techniques, (pioneered by Eddie Van Halen), in incendiary ways that had never been heard before in Christian rock. Gary Mann's bass style was heavily influenced by bassists Geddy Lee of Rush and Dave Hope of Kansas. Gary drove the band from beneath, his playing coupling beautifully with the powerhouse drumming of Kris Klingensmith. Kris emerged as a talented lyricist, writing the words to nearly all of the band's songs on the last three albums as well as the notable words on the back cover of the Little Foxes album. A lyrically harsh and distinct album, Little Foxes also contains some of Belew's most notorious guitar work, along with NancyJo Mann?s most convicting vocals (her performances on ?China White? and ?Destroy After Use? are soul haunting!).\u003c\/p\u003e\n\u003cp\u003eLittle Foxes marks the next step of Barnabas moving beyond the experimental and progressive sounds of Approaching Light Speed and Feel the Fire to embrace an all-out metal assault. ?Auschwitz 87? is so fast and aggressive that the guitar riffs could have come from a Metallica or early Slayer album. ?Destroy After Use? hammers away with monster metal riffs and terrifying passionate vocals that let you know in no uncertain terms: - ?the devil has a line on you.? Gone are most of the complex progressive pieces with keyboards that gave the listener moments to breathe on previous albums. Little Foxes is overflowing with urgency and is nothing less than full-on bombastic heavy metal at it?s finest! The band seemed to know their final collective voice needed music as heavy as the message. Even in 2017, the message and the in-your-face metallic riffage remain engaging and mesmerizing. For fans of Jerusalem, Philadelphia, Metal Church, Saint, Testament, and Accept!\u003c\/p\u003e\n\u003cp\u003eTRACKLIST\u003c\/p\u003e\n\u003cp\u003eGospel Maniac 5:04\u003c\/p\u003e\n\u003cp\u003eLittle Foxes 4:05\u003c\/p\u003e\n\u003cp\u003eDestroy After Use 4:56\u003c\/p\u003e\n\u003cp\u003eAuschwitz '87 4:42\u003c\/p\u003e\n\u003cp\u003eChina White 3:20\u003c\/p\u003e\n\u003cp\u003eSins Of The Fathers 5:21\u003c\/p\u003e\n\u003cp\u003eAll Alone 5:13\u003c\/p\u003e\n\u003cp\u003eSuite For The Souls Of Our Enemies (Part Two - Lover) 3:27\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486978326558,"sku":"194","price":13.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/files\/Barnabas_LittleFoxes_2000x2000_470x_fc242758-65f0-4607-b11f-d66585db269e.jpg?v=1758809124"},{"product_id":"barnabas-feel-the-firenewcd-2017-retroactive-records","title":"BARNABAS - FEEL THE FIRE (*NEW-CD) 2017, Remastered","description":"\u003cul\u003e\n\u003cli\u003eRemastered\u003c\/li\u003e\n\u003cli\u003e2017 Retroactive Records \u003c\/li\u003e\n\u003cli\u003eProduct ID: RRCD1444\u003c\/li\u003e\n\u003cli\u003eBarcode: 656165850617\u003c\/li\u003e\n\u003cli\u003eFormat: Compact Disc \/ 38 minutes\u003c\/li\u003e\n\u003cli\u003ePackaging: Full color 12 page booklet insert with lyrics and band pics\u003c\/li\u003e\n\u003cli\u003eRelease Date: December 12th, 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eABOUT THE ALBUM\u003c\/p\u003e\n\u003cp\u003eBarnabas developed a style of music that straddled the fence between energetic, aggressive power metal (like Iron Maiden, Dio, or Black Sabbath) and experimental progressive rock (like Rush, Styx, or Marillion). On top of the music soared the vocals of a chain-chompin' banshee lead singer who was all about putting her boot up the dark one's back side. The overriding question for Feel the Fire was obvious. Considering the artistic and commercial success of 1983's Approaching Light Speed, could the band capture lightning in a bottle twice? Barnabas was an amazing band, both because they were the heaviest Christian band of their era, and also one of the most creative lyrically and musically. They were as musically adventurous as Rush, but they would also put the hammer down and at any moment to grind out some extremely heavy metal - which they were doing a couple of years before the likes of Barren Cross, Philadelphia, Saint, Messiah Prophet, and Stryper appeared. And, while the band proved even more progressive in their metal for this release, the trademark foundations remained intact - smokin' guitars and top-notch instrumentation. With Feel the Fire, the band expanded the boundaries of Christian metal. Not satisfied with creating art by numbers or being a cookie-cutter band, it would be many years before anyone in Christian metal circles would touch the depth and creativity of Barnabas. With Feel the Fire, fans were treated to a mesmerizing magic slab of metal. One that couldn't be ignored or shaken. One that was impossibly irresistible and memorable. Indeed, Barnabas was unique in the truest sense.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude 2:20\u003c\/li\u003e\n\u003cli\u003eThe Dream 2:32\u003c\/li\u003e\n\u003cli\u003eBreathless Wonderment (The Dream Becomes Reality) 6:48\u003c\/li\u003e\n\u003cli\u003eHearts 7:02\u003c\/li\u003e\n\u003cli\u003eFeel The Fire 5:22\u003c\/li\u003e\n\u003cli\u003eNorthern Lights 3:45\u003c\/li\u003e\n\u003cli\u003eFollow You Up 5:09\u003c\/li\u003e\n\u003cli\u003eSuite For The Souls Of Our Enemies (Part I - Hammer \u0026amp; Sickle) 5:03\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Boone's Overstock","offers":[{"title":"Default Title","offer_id":7486980390942,"sku":"194","price":12.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2606\/9196\/files\/Barnabas_FeelTheFire_2000x2000_470x_fafa0d0b-c1cc-4bcf-95c4-ee12a0d75bbe.jpg?v=1758808901"},{"product_id":"barnabas-approaching-light-speednewcd-2017-retroactive-records","title":"BARNABAS - APPROACHING LIGHT SPEED (*NEW-CD) 2017","description":"\u003cul\u003e\n\u003cli\u003e2017 Retroactive Records\u003c\/li\u003e\n\u003cli\u003eProduct ID: RRCD1443\u003c\/li\u003e\n\u003cli\u003eBarcode: 656165850600\u003c\/li\u003e\n\u003cli\u003eFormat: Compact Disc \/ 38 Minutes\u003c\/li\u003e\n\u003cli\u003eLayout: Full color 12 page booklet insert with lyrics and band pics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eABOUT THE ALBUM:\u003c\/p\u003e\n\u003cp\u003eWith the 1983 album Approaching Light Speed, Barnabas released what many still consider to be one of the very best albums in Christian progressive metal. With this release the band pulled everything together and upped the ?Wow-Factor? to a new level. With the raging guitars of ?No Freedom? launching the album to new heights, the album continued to progress and show artistic growth and maturity in astounding ways. Combine that with cutting-edge lyrics, spacey keyboards interlaced throughout, and textured guitars building to new sonic extremes, and metalheads everywhere were hooked. The recording and the mix of the album also went to new levels, allowing the depth of the music and songs to shine. Each instrument can be heard perfectly, and Nancy Jo?s vocals penetrate the soul. Did we mention the guitars? They are LOUD! They are METAL. And, from this point on, they would define the Barnabas sound.\u003c\/p\u003e\n\u003cp\u003eAny band is lucky to make one album that is truly elite. When I say \"elite,\" I don?t just mean great songs and great execution. What I mean by \"elite\" is that this album is something that strikes a chord deep within the souls of many people... that steals the hearts of fans in sweeping fashion... that adds up to much, much more than the sum of it?s parts... something that is truly transcendent. With Approaching Light Speed, Barnabas nailed it. They nailed it with an album that is just as musically, lyrically, and spiritually transcendent in 2017 as it was in 1983. And, let?s get one thing clear: there was NOTHING like this album in Christian music in 1983! The good news at the time was that fans were ready. They were ready for something quality, something authentic, something real. And, with this release Barnabas did what they did on every single album ? they wore their hearts of love for God and people on their sleeves. Their new record label, Light Records, encouraged the band to ?tone it down a little bit.? Thank God Barnabas chose to be more radical than ever. Their courage and conviction would go on to help them achieve critical acclaim and widespread popularity amongst a growing population of people who needed exactly what they were offering. Approaching Light Speed has been digitally remastered by Bombworks Sound (Rob Colwell) and we are confident the album has never sounded better than now!\u003c\/p\u003e\n\u003cp\u003eIn honor of 40 amazing years of Barnabas, this Retroactive Records reissue is packaged in a jewel case featuring a 12 page full color booklet with lyrics and band pictures, and writes-ups from both the label owner, Matthew Hunt, and Doug Peterson of Down The Line Zine. 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